Garden of Forking Paths: Yui Kiyohara’s Remembering Every Night | Film Comment
I Was Born (In Hawaiʻi), But… | Screen Slate
Live Again: On Shinji Somai | Film Comment
Infinity According to Florian | Screen Slate
No Man Is an Island: Albert Serra’s Pacifiction | Film Comment
Yamabuki | Screen Slate
Sundance 2023: From a Distance | Film Comment
Watching the Watchers: Joële Walinga’s Self-Portrait | Cinema Scope
Nails for an Invisible City: On Invisibility, Disability, and Design | Design Museum Everywhere
James Baldwin Abroad | Screen Slate
And Then | Screen Slate
Documentary’s Original Sin: A conversation with Max Carpenter on Noriaki Tsuchimoto | Screen Slate
Lists and the Documentary Canon | Film Comment Podcast
Sage Advice: Edward Yang’s A Confucian Confusion | Film Comment
Taking the Horse to Eat Jalebis | Screen Slate
Film Comment Recommends: The Kalampag Tracking Agency | Film Comment
Perpetuum Mobile | Screen Slate
Shared Stories: Alice Diop’s We | Film Comment
The Ondekoza | Screen Slate
Come Here & Train Again | Screen Slate
I’ll Be Your Mirror: Disability in Ryusuke Hamaguchi’s Films | MUBI
Sharper Than Glass: Fern Silva on Rock Bottom Riser | Screen Slate
My Crasy Life & Some Divine Wind | Screen Slate
Sundance 2022: Every Day in Kaimukī | HIFILM
Shared Resources | Screen Slate
How CODA and Sound of Metal Misrepresent Deaf Culture | Hyperallergic
Remains to Be Seen: The Video Work of Forensic Architecture | MUBI
Untamagiru | Screen Slate
The Blindness Series | Sentient.Art.Film.
Compensation | Screen Slate
76 Days | Screen Slate
Circular Breathing: on Christopher Makoto Yogi’s August at Akiko’s | Honolulu Museum of Art
In response to Jonathan Rosenbaum re: A Touch of Sin | unpublished