Writing

2022

Documentary’s Original Sin: A conversation with Max Carpenter on Noriaki Tsuchimoto | Screen Slate

Sage Advice: Edward Yang’s A Confucian Confusion | Film Comment

Taking the Horse to Eat Jalebis | Screen Slate

Film Comment Recommends: The Kalampag Tracking Agency | Film Comment

Perpetuum Mobile | Screen Slate

Shared Stories: Alice Diop’s We | Film Comment

The Ondekoza | Screen Slate

Nails for an Invisible City: On Invisibility, Disability, and Design | Design Museum Everywhere (forthcoming)

Come Here & Train Again | Screen Slate

I’ll Be Your Mirror: Disability in Ryusuke Hamaguchi’s Films | MUBI

Sharper Than Glass: Fern Silva on Rock Bottom Riser | Screen Slate

My Crasy Life & Some Divine Wind | Screen Slate

Sundance 2022: Every Day in Kaimukī | HIFILM

2021

Shared Resources | Screen Slate

How CODA and Sound of Metal Misrepresent Deaf Culture | Hyperallergic

Remains to Be Seen: The Video Work of Forensic Architecture | MUBI

Untamagiru | Screen Slate

The Blindness Series | Sentient.Art.Film.

Compensation | Screen Slate

2020

76 Days | Screen Slate

2019

Circular Breathing: on Christopher Makoto Yogi’s August at Akiko’s | Honolulu Museum of Art

2017

In response to Jonathan Rosenbaum re: A Touch of Sin | unpublished